{"componentChunkName":"component---src-templates-author-js","path":"/author/ayamomose/","result":{"data":{"allWordpressPost":{"nodes":[{"wordpress_id":4110,"title":"Under Commons Vol.2──誰かの身体をプレイすること","excerpt":"わたしはコントローラーを通して主人公の身体に没入し、この身体に降りかかる様々な困難を冒険という物語として経験する。しかし、そのようなわかりやすい英雄の冒険譚に記述されてこなかった、ある不可視化された現実を生きる誰かの身体を「プレイ」するとき、それを操作するわたしは果たして無邪気にそこに没入することが可能なのだろうか。","path":"/2026/11/11/under-commons-vol-2/","date":"11 November 2026","format":"standard","branch":{"name":"ArtReview Japan"},"author":{"name":"Aya Momose","path":"/author/ayamomose/"},"category":{"name":"Reviews"},"featured_media":{"source_url":"https://backend.artreview.com/jp/wp-content/uploads/sites/2/2026/11/IV_00775-scaled.jpg","caption":"展示写真　左：遠藤麻衣《名も蹄も匂ひもかすみゆけば》2026\n右：近藤銀河《Trace of Queer》2026、《主観的な美術館》2025-2026 写真：鐘ヶ江歓一\n","alt_text":"","media_details":{"width":2560,"height":1707,"sizes":{"thumbnail":{"source_url":"https://backend.artreview.com/jp/wp-content/uploads/sites/2/2026/11/IV_00775-300x200.jpg","width":300,"height":200},"medium":{"source_url":"https://backend.artreview.com/jp/wp-content/uploads/sites/2/2026/11/IV_00775-600x400.jpg","width":600,"height":400},"large":{"source_url":"https://backend.artreview.com/jp/wp-content/uploads/sites/2/2026/11/IV_00775-1230x820.jpg","width":1230,"height":820},"wordpress_1536x1536":{"source_url":"https://backend.artreview.com/jp/wp-content/uploads/sites/2/2026/11/IV_00775-1536x1024.jpg","width":1536,"height":1024},"wordpress_2048x2048":{"source_url":"https://backend.artreview.com/jp/wp-content/uploads/sites/2/2026/11/IV_00775-2048x1365.jpg","width":2048,"height":1365}}}},"acf":{"article_collaboration":"","article_video":null,"article_audio":null}}]}},"pageContext":{"wordpress_id":1120,"limit":7,"skip":0,"pageNumber":1,"basePath":"/author/ayamomose/","numPages":1,"name":"Aya Momose","description":""}},"staticQueryHashes":["1047144546","1199547381","1199547381","1200741782","1200741782","2238591713","3764592887","4156135988","753543242","753543242","919364628"]}